Art in the Age of Crowd Sourced Production

On June 25th at 7pm I am moderating the event: Art in the Age of Crowd “Sourced” and “Funded” Production, a presentation by Stephanie Rothenberg, at Supermarkt, Brunnenstrasse…

Under the Skin: Revealing Invisible Data

With Alessandro Delfanti, Pinar Yoldas, Salvatore Iaconesi, Rüdiger Trojok Hashes to Ashes conference thread. Chair: Tatiana Bazzichelli transmediale 2014 “afterglow”, Haus der Kulturen der Welt, Berlin. Fri, 31.1….

reSource transmedial culture at transmediale 2013 (résumé)

Since September 2011, I have been curating the reSource transmediale culture berlin, a project of transmediale that happens throughout the year in the city of Berlin, developing ongoing…

Digital Backyards Workshop & Conference

WHAT ARE EUROPEAN ALTERNATIVES TO GOOGLE AND FACEBOOK? Digital Backyards | International Conference October 18th-20th at Kunstquartier Bethanien | Berlin Are there any alternatives to an increasingly centralized…

When Stealing Becomes Art: Interview with Paolo Cirio

By Tatiana Bazzichelli, published in Digimag 63, April 2011 In the essay The author as a producer (1934), Walter Benjamin describes the author’s role through the figure of…

NYHEDSAVISEN: Public-Interfaces / A fake newspaper

Press release: Researchers proudly present fake academic publishing! »A fake is a fake. Anyway« Les Liens Invisibles »We can only guess that fake publishing will mark the dawning…

Arts and Politics of Participation @ AHAcktitude 2011

Seminar on the Arts and Politics of Participation, April 2, 15.00h @ AHAcktitude 2011, Italy, Academy of Fine Art of Carrara, organised by Tatiana Bazzichelli, Loretta Borrelli, Simona…

On Disruptive Art and Business

Essay published in Italian in the book RomaEuropaFakeFactory, edited by C. Hendrickson, S. Iaconesi, O. Persico, F. Ruberti, L. Simeone, Derive Approdi Ed., Rome, Italy, 2010. English version:…