Networkingart

artivism, hacktivism and social networking
  • scissors
    March 5th, 2010tbazzWomen & Technology
    Lynn Hershmann Leeson. Photo by Tatiana Bazzichelli

    Lynn Hershmann Leeson. Photo by Tatiana Bazzichelli

    I met Lynn Hershman Leeson in her studio in California Street for an interview for my PhD research during my visiting scholarship in San Francisco / Stanford. I got to know her through Henrik Bennetsen of the Stanford Humanities Lab. She invited me at the San Francisco Art Institute to attend a preview-screening of her upcoming film: Women Art Revolution, which is currently in post-production. After the screening we got a questionnaire, to give her our first impressions on the film. The film, coming out in the Fall of this year, is about the evolution of the Feminist Art Movement in the United States. I was very impressed by the comprehensive works of Lynn, by the amount of interviews with women artists she did in the course of the past thirty years,  and how, already in the Seventies, she managed to develop one of the first experiments in the  creation of multiple identities, transforming her own life in the one of her alter ego: Roberta Breitmore.

    My interview with Lynn is going to be published in the upcoming summer issue of Leonardo Electronic Almanac. Here is an excerpt of it:

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    January 14th, 2010tbazzSocial networking, Web 2.0

    Presentation of Sirikata, open source platform for games and virtual worlds
    with: Henrik Bennetsen, Stanford Humanities Lab

    Friday, January 15th, 13.15-15.00. Room T014, Turing building, Åbogade 34, Aarhus University.

    Sirikata

    Promoted by DUL: Digital Urban Living and DARC: Digital Aesthetics Research Center.
    Presented by Tatiana Bazzichelli.

    Sirikata (www.sirikata.com) is a BSD licensed open source platform for games and virtual worlds. The platform has grown out of a several years of research at Stanford University, initiated by Media X, and the current ambition is to expand into a fully community run open source project. At the Stanford Humanities Lab we have built practical projects that explores potential futures of collaboration, cultural institutions and musical performance. Bennetsen will demonstrate and discuss this work in context of new technological possibilities offered by Sirikata.

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    September 30th, 2009tbazzUncategorized

    Of Intercourse and Intracourse. Sexuality, Genetics, Biotech, Wetware, Body mods.

    Arse Elektronika 2009

    Arse Elektronika 2009

    October is coming in San Francisco, and together with the breezy fog, we have a new occasion to re-fresh our minds: Arse Elektronika 2009, October 1-4, San Francisco.
    This year sex and technology meet the future at Arse Elektronika, as reported in the LA Times.
    The Arse Elektronika Festival, which is not the one about media art organized in Linz every year – even if it sounds the same :) – also comes from Austria: founded by the experimental art group monochrom and managed by Johannes Grenzfurthner it is at its third edition (the first was in 2007).

    CUM2CUT, the Indie-Porn-Short-Film Festival which I founded (together with Gaia Novati) in Berlin in 2006, is among the Festival partners. Some CUM2CUT movies will be shown at the Prixxx Arse Elektronika on October 1 at 6 PM, at the Roxie Theater in San Francisco’s Mission district.

    Beside this, I will be involved in the festival program, taking part in the final panel,  Of Hypercrotch and Nanobot, together with Rose White, Violet Blue, Saul Albert, Eleanor Saitta and Johannes Grenzfurthner: Saturday, October 3, 8 PM @ PariSoMa

    Here is the official press release. Spread the word!

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    September 15th, 2009tbazzUncategorized

    Stanford_Humanities_Lab_by_Knox

    From August 20 until December 20, 2009, I am hosted as Visiting Scholar at the Human Sciences & Technologies Advanced Research Institute at Stanford University, California H-STAR, working within the Stanford Humanities Lab.

    Thanks to a partnership agreement between the Danish Agency for Science, Technology and Innovation (DASTI) and H-STAR at Stanford University, it has been possible to apply for a research grant at Stanford University, being involved in programs that connect Stanford resources in human sciences with research and innovation about information technology. This semester (fall 2oo9) six PhD Scholars, including myself, are hosted by HSTAR (see here for more details). Aim of my research at Stanford is to investigate how networking practices are able to change the model of production of Internet contents and artistic creations, connecting the development of hacker ethics and current digital artistic practices with the creation of Web 2.0 social networking platforms. Fred Turner, Assistant Professor in the Department of Communication at Stanford University, is my research co-supervisor.

    The Stanford Humanities Lab is a loosely structured, self-supporting research collaboratory built around the work of its faculty leaders. It serves as a platform for transdiciplinary/post-disciplinary study dedicated to exploring innovative scenarios for the future of knowledge production and reproduction in the arts and humanities. Their research focus is about what it is to be human, about experience in a connected world, about the boundaries of culture and nature — transcend old divisions between the arts, sciences, and humanities; between the academy, industry, and the public sphere. The people behind the Lab are: Jeffrey T. Schnapp (Founder and Director), Henry Lowood, Michael Shanks and John Willinsky (Directors); Henrik Bennetsen (Associate Director), Matteo Bittanti (Associate Member); Core Collaborators are: Dena DeBry, Brandon Jones, Gordon Knox, Susan J. Rojo and Galen Davis (read more here).

    Among the current projects at the SHL are: Speed Limits and the developing of Sirikata, a BSD licensed open source platform for games and virtual worlds. On September 12 and 13, a Mixed Reality Performance: An Evening on Sirikata took place. A performance at the MiTo International festival of Music in Milan, Italy, presented by the Stanford Humanities Lab [SHL] and the Center for Computer Research in Music and Acoustics [CCRMA], Stanford University).

    Stay tuned!

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