With William Binney, Alexa O’Brien, Annie Machon, moderated by Diani Barreto
transmediale festival “afterglow” 2014 – Haus der Kulturen der Welt Berlin
Hashes to Ashes conference thread. Chair: Tatiana Bazzichelli
Whistle-blowing is the new civil disobedience of our time. Bruce Schneier
The recent disclosures made by whistle-blower Edward J. Snowden encompass some of the most severe threats to Human Rights and to democracy in the modern age. We are experiencing a “chill” in the fields of investigative reporting while witnessing an unholy alliance between government agencies, Internet service providers and the media, that have caused a rupture of confidence in the security industry as well as in our civic institutions. The Snowden affair has also shed light on how journalism is being perceived in our time and how information contained piggyslots.com/feature/5-reels in the leaks is being handled by the media outlets of the 4th Estate, which have traditionally served as the “gatekeepers” for public accountability.
This panel seeks to illustrate how the virtue ethics of cypherpunk, whistle-blowing and investigative journalism are evolving into a hybrid form of civic resistance against the predations of the State. It will discuss the ascendancy of an information commons, a so-called 5th Estate, as a network of networks, that can serve to complement, if not surpass the 4th Estate and how it can serve to effectuate political change.
Presentation at Aksioma | Project Space, 12 February 2014 at 7.30 pm, Ljubljana, Slovenia In this video of my presentation at the Aksioma Project Space I describe the process of development of the reSource transmedial culture berlin as a trans-genre initiative combining hacktivist, artistic and queer practices of local and translocal communities, and the curatorial framework of transmediale 2014 afterglow. Watch the video below. Tatiana Bazzichelli — Networking Post-Digital Transitions from aksioma on Vimeo. What is the connection between hacker practices, artistic experimentation and queer performativity in the post-digital era? Since 2011 Tatiana Bazzichelli has been developing the reSource transmedial culture berlin, the year-round initiative casinos in Florida of transmediale festival as a project of networking based on the inter-connection of genres and practices in the field of art, technology, politics and identity. The main goal was to facilitate the sharing of resources and knowledge between the transmediale festival and the local and translocal scene engaged with art and digital culture in Berlin. This presentation reflects on curating as an activity that crosses practices and languages, in connection with a critical reflection on media culture. By highlighting how networking can be a disruptive concept able to work on the convergences of interdisciplinary fluxes, the focus will be post-digital practices presented before and during transmediale 2014 “afterglow”, linking the artistic with the mediatic, political, economic and queer practices. MORE INFO on the Event here Aksioma – Institute for Contemporary Art, Ljubljana, 2014, (Komenskega 18, Ljubljana, Slovenia) Artistic Director: Janez Janša, Producer: Marcela Okretic
by Tatiana Bazzichelli
A conversation with American filmmaker Laura Poitras, who has chronicled America post-9/11 with her films. Along with Glenn Greenwald, she brought to light the documents of the NSA affair.
The recent debate on the PRISM, XKeyscore and TEMPORA Internet surveillance programs, based on the Edward Snowden release of NSA material, symbolizes an increasing geopolitical control. New identities emerge: whistleblowers, cypherpunks, hacktivists and individuals that bring attention to abuses of government and large corporations, making the act of leaking a central part of their strategy. The transmediale conference stream ‘Hashes to Ashes’ highlights the current pervasive process of silencing—and metaphorically reducing to ashes—activities which expose misconducts in political, technological and economical systems, as well as to reflect on what burns underneath such process, advocating a different scenario.
Here is a conversation with American documentary filmmaker Laura Poitras, who has chronicled America post-9/11 with her films My Country, My Country (2006), The Oath (2010) and an upcoming work on the surveillance state and Edward Snowden’s disclosures. Along with Glenn Greenwald, she brought to light the documents of the NSA affair. At transmediale 2014, with independent security analyst Jacob Appelbaum and artist and geographer Trevor Paglen, Poitras will take part in the keynote event ‘Art as Evidence’ on Thursday January 30, Auditorium HKW, 20.30-22.30, moderated by Tatiana Bazzichelli.
The following interview was conducted in person on November 28, 2013, and by email. A shorter version of this interview was published in the transmediale magazine in January 2014.
Download the interview here.
Disrupting Business explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis in financial capitalism and austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process. If it is indeed possible, or desirable, what alternative business models emerge? This book is concerned broadly with business as material for reinvention, including critical writing and examples of art/activist projects.
Contributors include Saul Albert, Christian Ulrik Andersen, Franco “Bifo” Berardi, Heath Bunting, Paolo Cirio, Baruch Gottlieb, Brian Holmes, Geert Lovink, Dmytri Kleiner, Georgios Papadopolous, Soren Bro Pold, Oliver Ressler, Kate Rich, René Ridgway, Guido Segni, Stevphen Shukaitis, Nathaniel Tkacz, and Marina Vishmidt.
Tatiana Bazzicheli is Postdoc Researcher at Leuphana University of Lüneberg and programme curator at transmediale festival, Berlin, Germany.
Geoff Cox is Associate Professor in the Department of Aesthetics and Communication, Aarhus University, Denmark, and Adjunct Faculty, Transart Institute, Germany and the United States.
Read more: http://disruptiv.biz