Under the Skin: Revealing Invisible Data

With Alessandro Delfanti, Pinar Yoldas, Salvatore Iaconesi, Rüdiger Trojok
Hashes to Ashes conference thread. Chair: Tatiana Bazzichelli
transmediale 2014 “afterglow”, Haus der Kulturen der Welt, Berlin.

Fri, 31.1. 18:30h – 20:00h, Haus der Kulturen der Welt, Berlin

This panel investigates the invisible data underneath biological science, scientific laboratory research and our body. Focusing the discussion on biohacking as an experience of “disclosure” of data and practices that belong to a branch still inaccessible for many, Salvatore Iaconesi, Rüdiger Trojok and Pinar Yoldas share their interdisciplinary researches. Activist and computer engineer Salvatore Iaconesi presents his “open source cure”, based on his personal experience of data disclosure after being diagnosed with brain cancer, advocating the right of accessing openly medical records; molecular biologist Rüdiger Trojok presents his work among the community platform hackteria, based on the collaboration of scientists, hackers and artists to work with life science technologies and cooperate on the organisation of temporary labs, hack-sprints and meetings; Artist Pinar Yoldas, selected artist in the Vilélm Flusser Residency Programme, presents her research to create a post-human ecosystem, a living community of speculative organisms and their environment.

Restricted Networks

Strategies of Survival After Uprising

With Miriyam Auoragh, Philipp Ronnenberg, Ebru Yetiski
Hashes to Ashes conference thread. Chair: Tatiana Bazzichelli
transmediale festival “afterglow” 2014 – Haus der Kulturen der Welt Berlin

Time: Sat, 1.2. 18:30h – 20:30h, Haus der Kulturen der Welt, Berlin

During the Arab revolts in Tunisia, Egypt, and Libya, access to the Internet and mobile phone networks was restricted to limit peer networking and self-organization. In Syria Internet censorship is extensive, and websites are banned and network traffic is shut off when the government is under pressure. In the recent uprising in Turkey, many of the protesters complained about the lack of coverage on Turkish television and as a result of this, social media played a key role in keeping people informed. The use of Internet and social media for self-organization during uprisings has been often discussed, but are such tools the best solution to coordinate interventions? Are they empowering, or are they instead causing major exposure if not used consciously? This panel analyses the role of networking and activism during uprisings in the Middle East, and reflects on the countermeasures adopted against the so-called ‘cyber crime’ during times of conflict. Furthermore, it aims to generate a discussion over the creation of permanent and alternative (social) media outlets.

Networking Post-Digital Transitions

Presentation at Aksioma | Project Space, 12 February 2014 at 7.30 pm, Ljubljana, Slovenia In this video of my presentation at the Aksioma Project Space I describe the process of development of the reSource transmedial culture berlin as a trans-genre initiative combining hacktivist, artistic and queer practices of local and translocal communities, and the curatorial framework of transmediale 2014 afterglow. Watch the video below. Tatiana Bazzichelli — Networking Post-Digital Transitions from aksioma on Vimeo. What is the connection between hacker practices, artistic experimentation and queer performativity in the post-digital era? Since 2011 Tatiana Bazzichelli has been developing the reSource transmedial culture berlin, the year-round initiative casinos in Florida of transmediale festival as a project of networking based on the inter-connection of genres and practices in the field of art, technology, politics and identity. The main goal was to facilitate the sharing of resources and knowledge between the transmediale festival and the local and translocal scene engaged with art and digital culture in Berlin. This presentation reflects on curating as an activity that crosses practices and languages, in connection with a critical reflection on media culture. By highlighting how networking can be a disruptive concept able to work on the convergences of interdisciplinary fluxes, the focus will be post-digital practices presented before and during transmediale 2014 “afterglow”, linking the artistic with the mediatic, political, economic and queer practices. MORE INFO on the Event here Aksioma – Institute for Contemporary Art, Ljubljana, 2014, (Komenskega 18, Ljubljana, Slovenia) Artistic Director: Janez Janša, Producer: Marcela Okretic

Interview with Laura Poitras: The Art of Disclosure

by Tatiana Bazzichelli
A conversation with American filmmaker Laura Poitras, who has chronicled America post-9/11 with her films. Along with Glenn Greenwald, she brought to light the documents of the NSA affair.

National Security Agency_headquarters, Fort Meade, Maryland

The recent debate on the PRISM, XKeyscore and TEMPORA Internet surveillance programs, based on the Edward Snowden release of NSA material, symbolizes an increasing geopolitical control. New identities emerge: whistleblowers, cypherpunks, hacktivists and individuals that bring attention to abuses of government and large corporations, making the act of leaking a central part of their strategy. The transmediale conference stream ‘Hashes to Ashes’ highlights the current pervasive process of silencing—and metaphorically reducing to ashes—activities which expose misconducts in political, technological and economical systems, as well as to reflect on what burns underneath such process, advocating a different scenario.

Here is a conversation with American documentary filmmaker Laura Poitras, who has chronicled America post-9/11 with her films My Country, My Country (2006), The Oath (2010) and an upcoming work on the surveillance state and Edward Snowden’s disclosures. Along with Glenn Greenwald, she brought to light the documents of the NSA affair. At transmediale 2014, with independent security analyst Jacob Appelbaum and artist and geographer Trevor Paglen, Poitras will take part in the keynote event ‘Art as Evidence’ on Thursday January 30, Auditorium HKW, 20.30-22.30, moderated by Tatiana Bazzichelli.

The following interview was conducted in person on November 28, 2013, and by email. A shorter version of this interview was published in the transmediale magazine in January 2014.

Download the interview here.

New Book: Disrupting Business. Art & Activism in Times of Financial Crisis

Edited by Tatiana Bazzichelli & Geoff Cox
Publisher: Autonomedia – Data Browser 05

Disrupting Business explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis in financial capitalism and austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process. If it is indeed possible, or desirable, what alternative business models emerge? This book is concerned broadly with business as material for reinvention, including critical writing and examples of art/activist projects.

Contributors include Saul Albert, Christian Ulrik Andersen, Franco “Bifo” Berardi, Heath Bunting, Paolo Cirio, Baruch Gottlieb, Brian Holmes, Geert Lovink, Dmytri Kleiner, Georgios Papadopolous, Soren Bro Pold, Oliver Ressler, Kate Rich, René Ridgway, Guido Segni, Stevphen Shukaitis, Nathaniel Tkacz, and Marina Vishmidt.

Buy Paperback: Autonomedia

Download PDF + Cover

Tatiana Bazzicheli is Postdoc Researcher at Leuphana University of Lüneberg and programme curator at transmediale festival, Berlin, Germany.
Geoff Cox is Associate Professor in the Department of Aesthetics and Communication, Aarhus University, Denmark, and Adjunct Faculty, Transart Institute, Germany and the United States.

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reSource Chats: Networking Berlin’s transmedial culture

Tatiana Bazzichelli’s reSource chat at Ausland (Berlin)

The initiative Networking Berlin’s transmedial culture started in spring 2012 as part of Tatiana Bazzichelli’s Postdoc research project on networking communities developed as a joint collaboration between the Centre for Digital Culture / Leuphana University of Lüneburg, and transmediale festival. After transmediale 2k+12 in/compatible, she started investigating the perception on the newborn reSource project, and the transmediale festival in general, by various cultural producers, artists and curators based in Berlin. The aim was to document considerations and thoughts of people active within the scene of cultural production in the city, and the implications of their activity in the framework of culture politics and networking models.

reSource Chat with Christian de Lutz / Art Laboratory Berlin

reSource Chat with Georg Hotz / ausland

reSource Chat with Dr. Podinski / Citizen Kino

reSource Chat with Francesco Macarone Palmieri aka Warbear / Gegen 

reSource Chat with Daniel Franke, Kai Kreuzmüller and John McKiernan / LEAP

reSource Chat with Allegra Solitude / Liebig12

reSource Chat with Erika Siekstelyte and Justas Rudziaskas / Panke e.V.

reSource Chat with Pit Schultz and Diana McCarty /

reSource Chat with Ela Kagel / SUPERMARKT

reSource Chat with Florian Wüst / Haben und Brauchen

The investigation takes shapes through a “montage method”, bringing artists, cultural producers and activists into a dialogue crossing different practices and languages: from radio stations to exhibition spaces, from music venues to queer parties, from independent cinema projects to open source cultural spaces. Bazzichelli enters in dialogue with ten projects and producers: Christian de Lutz (Art Laboratory Berlin), Florian Wuest (Haben und Brauchen), Gregor Hotz (ausland), Diana McCarty/Pit Schultz (, Dr. Podinski (Citizen Kino), Ela Kagel (SUPERMARKT), John McKiernan, Kai Kreuzmüller and Daniel Franke (LEAP), Francesco Warbear Macarone Palmieri (Gegen), Erika Siekstelyte (Panke e.V.), Allegra Solitude (Liebig12).

The hybrid character of this first research phase – which obviously does not aim to be representative of the whole independent art and cultural landscape of the city – is not only at the core of her research methodology, but also of the activities of many of the people interviewed. They do not work on a single language of expression, but they try to combine different ones. Their cultural programmes are not only about a specific field or a specific genre; they work by converging interdisciplinary fluxes – artistic, mediatic, political, economical, and bodily.

These dialogues highlight strengths and weaknesses of what could be defined as the condition of “being in between” in the cultural landscape of Berlin, the hybrid character of activities that are mixing media, practices and languages, which often result in lack of political and cultural recognition and lack of sustainable funds. Furthermore, they offer an interesting perspective in the activity of networking art and digital culture in the field of independent cultural production.

The interviews published in this section present a dialogic form, therefore often following a very spontaneous style. A creative montage of them, the reSource Chats, is published in the first issue of the transmediale/magazine, and launched during the event reSource 006 at Kunstraum Kreuzberg / Bethanien on Thursday 12 September 2013.

Special thanks go to Lina Zuppke for the editing and transcription of the interviews, and to Georgia Nicolau, Heiko Stubenrauch and Daniela Silvestrin for taking part in the documentation of this project, as well as working on the interviews’ transcription.

Photo by Georgia Nicolau

Overflow in Berlin (reSource 006 event)

Photo: Fag Face Mask, Facial Weaponization Suite by Zach Blas

Photo: Fag Face Mask, Facial Weaponization Suite by Zach Blas

reSource 006: Overflow
Discussions, interventions, installations, workshop, performances & concerts
12-14 September 2013, Kunstraum Kreuzberg/Bethanien and Mindpirates e.V.

Kunstraum Kreuzberg/Bethanien, Mariannenplatz 2, 10997 Berlin, U-Bahn Kottbusser Tor (U1/U8), Bus 140
Mindpirates e.V., Falckensteinstrasse 48, 10997 Berlin, U-Bahn Schlesisches Tor (U1)

Presented by reSource transmedial culture berlin and transmediale, festival for art and digital culture berlin. Curated by Tatiana Bazzichelli, developed in collaboration with Kunstraum Kreuzberg/Bethanien, CTM/Disk, the Centre for Digital Cultures/Leuphana University of Lüneburg, and Mindpirates e.V.

In the current development of digital culture we are experiencing a condition of overflow. More information is being transmitted than machines can process and humans can handle. Producing more data generates more ownership and control, but also increases the desire to be part of an extended connectivity.

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PNEUMAtic circUS: Digital Catalogue Launch

A project of networked art powered by OCTO-P7C1


DOWNLOAD: You can download the PNEUMAtic circUS catalog (pdf) here.

Monday July 8th, 2013
Laboratorio 21, Viareggio (Italy)

Launch of the digital catalog with Vittore Baroni (curator, E.O.N. Archive, Viareggio), Tatiana Bazzichelli (curator, transmediale festival, Berlin / researcher, Leuphana University of Lüneburg), Jonas Frankki (designer, Telekommunisten collective, Berlin), MGZ – Mauro Guazzotti (DJ)

As part of the renowned transmediale festival for art and digital culture held in January-February 2013 in the Haus der Kulturen der Welt in Berlin, the mail art pioneer Vittore Baroni oversaw the postal art project PNEUMAtic circUS, utilizing the innovative structure of pneumatic post OCTO P7C-1 and involving approximately one hundred authors from sixteen nations.

The long tentacles of OCTO reach Baroni’s home town Viareggio on Monday, July 8th 2013, with the premiere presentation at the art space Laboratorio 21 of the singular PNEUMAtic circUS digital catalog. The special event includes a meeting with Tatiana Bazzichelli, networked art researcher and curator of transmediale, and with the designer Jonas Frankki, a member of the Berlin collective Telekommunisten, creators of the original pneumatic platform together with Raumlaborberlin and reSource transmedial culture berlin of the transmediale festival.

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