NetworkingartNetworkingart

#arse 2009 photostream

Slide by Jason Scott, http://ascii.textfiles.com/

Slide by Jason Scott, http://ascii.textfiles.com/

Here they are! The photos from Arse Elektronika 2009: check the photostream!

Arse Elektronika 2009

Of Intercourse and Intracourse. Sexuality, Genetics, Biotech, Wetware, Body mods.

Arse Elektronika 2009

Arse Elektronika 2009

October is coming in San Francisco, and together with the breezy fog, we have a new occasion to re-fresh our minds: Arse Elektronika 2009, October 1-4, San Francisco.
This year sex and technology meet the future at Arse Elektronika, as reported in the LA Times.
The Arse Elektronika Festival, which is not the one about media art organized in Linz every year – even if it sounds the same :) – also comes from Austria: founded by the experimental art group monochrom and managed by Johannes Grenzfurthner it is at its third edition (the first was in 2007).

CUM2CUT, the Indie-Porn-Short-Film Festival which I founded (together with Gaia Novati) in Berlin in 2006, is among the Festival partners. Some CUM2CUT movies will be shown at the Prixxx Arse Elektronika on October 1 at 6 PM, at the Roxie Theater in San Francisco’s Mission district.

Beside this, I will be involved in the festival program, taking part in the final panel,  Of Hypercrotch and Nanobot, together with Rose White, Violet Blue, Saul Albert, Eleanor Saitta and Johannes Grenzfurthner: Saturday, October 3, 8 PM @ PariSoMa

Here is the official press release. Spread the word!

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Visiting Research at the Stanford Humanities Lab

Stanford_Humanities_Lab_by_Knox

From August 20 until December 20, 2009, I am hosted as Visiting Scholar at the Human Sciences & Technologies Advanced Research Institute at Stanford University, California H-STAR, working within the Stanford Humanities Lab.

Thanks to a partnership agreement between the Danish Agency for Science, Technology and Innovation (DASTI) and H-STAR at Stanford University, it has been possible to apply for a research grant at Stanford University, being involved in programs that connect Stanford resources in human sciences with research and innovation about information technology. This semester (fall 2oo9) six PhD Scholars, including myself, are hosted by HSTAR (see here for more details). Aim of my research at Stanford is to investigate how networking practices are able to change the model of production of Internet contents and artistic creations, connecting the development of hacker ethics and current digital artistic practices with the creation of Web 2.0 social networking platforms. Fred Turner, Assistant Professor in the Department of Communication at Stanford University, is my research co-supervisor.

The Stanford Humanities Lab is a loosely structured, self-supporting research collaboratory built around the work of its faculty leaders. It serves as a platform for transdiciplinary/post-disciplinary study dedicated to exploring innovative scenarios for the future of knowledge production and reproduction in the arts and humanities. Their research focus is about what it is to be human, about experience in a connected world, about the boundaries of culture and nature — transcend old divisions between the arts, sciences, and humanities; between the academy, industry, and the public sphere. The people behind the Lab are: Jeffrey T. Schnapp (Founder and Director), Henry Lowood, Michael Shanks and John Willinsky (Directors); Henrik Bennetsen (Associate Director), Matteo Bittanti (Associate Member); Core Collaborators are: Dena DeBry, Brandon Jones, Gordon Knox, Susan J. Rojo and Galen Davis (read more here).

Among the current projects at the SHL are: Speed Limits and the developing of Sirikata, a BSD licensed open source platform for games and virtual worlds. On September 12 and 13, a Mixed Reality Performance: An Evening on Sirikata took place. A performance at the MiTo International festival of Music in Milan, Italy, presented by the Stanford Humanities Lab [SHL] and the Center for Computer Research in Music and Acoustics [CCRMA], Stanford University).

Stay tuned!

Networking. The Net as Artwork

networking_bazzichelliBy Tatiana Bazzichelli
Preface by Derrick De Kerckhove

A reconstruction of the history of artistic networking in Italy and of the Italian hacker community from the 1980s to date.

Download the book:
Language: English | Pages: 336. Download (PDF, 3.10 MB).
Language: Italian | Pages: 317. Download (PDF, 3.9 MB)

Buy the book: www.bod.com

Abstract:
Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities.

The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed.

The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also mail art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.

Preface by Derrick De Kerckhove. Epilogue by Simonetta Fadda.

Translation: Helen Pringle and Maria Anna Calamia, revised by Grace Wright.
Layout and front cover by Jonas Frankki.
Cover image: Giovanotti Mondani Meccanici by Antonio Glessi-Andrea Zingoni, published in “Frigidaire” issue 42, May 1984, Primo Carnera Edition.

Copyright © Italian edition 2006, costlan editori s.r.l., Milan.
Copyright © English edition 2008, Digital Aesthetics Research Center, Aarhus University, and the author.

The book is published under the GNU Free Documentation License, Version 1.3, November 2008.
More info about the book: English | Italian.