When Stealing Becomes Art: Interview with Paolo Cirio

By Tatiana Bazzichelli, published in Digimag 63, April 2011 In the essay The author as a producer (1934), Walter Benjamin describes the author’s role through the figure of…

Arts and Politics of Participation @ AHAcktitude 2011

Seminar on the Arts and Politics of Participation, April 2, 15.00h @ AHAcktitude 2011, Italy, Academy of Fine Art of Carrara, organised by Tatiana Bazzichelli, Loretta Borrelli, Simona…

Interface: A Journal For and About Social Movements

Volume two, issue two is out! Voices of dissent: activists’ engagements in the creation of alternative, autonomous, radical and independent media Volume two, issue two of Interface, a…

When Art Goes Disruptive: The A/Moral Dis/Order of Recursive Publics

Paper presented at the Public Interfaces Conference, 12-14 January 2011, Aarhus University, Denmark. Abstract: This paper reflects on the notion of recursive publics proposed by Christopher M. Kelty…

Revealing Hidden Digital Geographies

In the recent article I wrote for the Italian IT portal Punto Informatico, “NetStArt/ I retroscena delle geografie digitali”, I presented the new project of the Italian duo…

SMART MISTAKES, or BUSINESS AS USUAL

Panel hosted by DARC (Digital Aesthetics Research Centre, Aarhus University) Presenters: Christian Ulrik Andersen (DK), Tatiana Bazzichelli (IT/DK), Geoff Cox (UK/DK), and Les Liens Invisibles (IT). Share Festival,…

Media Ghosts Between Conspiracy, Pranks and Myth

Talk at the Emotion, Media and Crime Conference September 29 – October 1, 2010, Aarhus University The aim of the conference Emotions, Media and Crime in Aarhus is…

Aesthetics of Common Participation and Networking Enterprises

Some notes extracted from a paper written for the Conference “Interweaving Technologies. The Aesthetics of Digital Urban Living”, Aarhus, Denmark, April 22nd, 2010. In the last half of…