Networkingart

artivism, hacktivism and social networking
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    Free Beer by Superflex

    Free Beers by Superflex

    Last May 21st, I ran a seminar together with Geoff Cox on the intersections between art, business and activism, at Aarhus University.

    The seminar, as part of the DARC, Digital Aesthetics Research Center meetings, addressed the new forms of business that emerge from the uses of social media and critical arts practices, models that offer new insights into exploitation and even new ways of creating value. Geoff and I opened  the discussion on how best to translate these topics  into future research projects (e.g. in collaboration with SNYK), while presenting a range of different concepts. The research seminar was scheduled for Friday the 21st of May, 10-12, Aarhus University.
    The title “Disruptive Art of Business” derives from a paper I wrote for an upcoming book, as part of my PhD Research investigation on Networking 2.0.

    Key concepts: crisis of value, debt economies, alternative models (eg. music industry), donations based models, open source business, P2P (see Peer to Peer Foundation for instance), non-monetarised exchange and the gift, free software development, waged and unwaged labour, transformation of the institution, new forms of organization that take cue from networks culture (Organized Networks), buzz words, like sustainability, recuperation and tactical media strategies, disruptive art.

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    newcastle-gb560

    Venue: Culture Lab, Space 4/5, Newcastle, UK
    Time/Date:
    9th March 2010 – 10th March 2010, 09:00 – 17:00
    AHRC funded Collaborative Research

    I am leaving for Newcastle to attend the event: Creative Digital Media Research Practice: Production Through Exhibition. It is an AHRC funded Collaborative Research Training project on digital media, art research and curating. I’ll be part of a a panel on Do It Yourself research practice (moderated by Lalya Gaye) and I am going to present the topics of my current research at Aarhus University, Networking 2.0, An aesthetic, technological and social critique of collective art. I will also share my methodological approach, which is inspired by the Ethnographic Surrealism of James Clifford, (1981) and present my current investigation, which combines a multi-semiotic approach, and an empirical “intermedia” of networking practices, hacker and activist strategies.

    Here is a description of the event – my talk is scheduled on the afternoon of March 10, Culture Lab, Newcastle.

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