Networkingart artivism, hacktivism and social networking
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    April 26th, 2010tbazzHacktivism

    From the workshops Psychogeographics Aarhus by Martin Howse (UK/DE) and Wi-Fi cracking workshop by Gordan Savicic (AU/NL).

    Martin_Howse_Workshop

    After the previous common experience in Peenemünde (Germany), and in Bergen (Norway), I met again Martin Howse and Gordan Savicic in Aarhus for the Interweaving Technologies Conference (April, 22, 2010), promoted by DARC and DUL, Aarhus.

    In 2008 Martin Howse organized the Peenemünde_xxxxx Workshop in the historical location of Peenemünde (where the Luftwaffe tested the V2 rocket during World War II), and with Gordan and some other people, I was part of “an intense, conspiratorial two day long working group/workshop”, following the traces of Gravity’s Rainbow by Thomas Pynchon (1972). During that time I was working on the topic of pornographic coding (inspired by the paper of Stewart Home and Florian Cramer, 2005), which I also analyzed with Stewart Home and Paolo Cirio in the previous 24h-speculative-coding-workshop organized by Martin in Bergen at the Piksel Festival (November 2007), where we created a prank on MySpace.

    I was involved in the Peenemünde xxxxx workshop reflecting on the subject of pornographic coding with Gaia Novati and Federico Bucalossi from Italy. What we realized during those intense days was a video, which we called Orgasmatic Implosion. Martin and Gordan worked instead on the EM practice, ‘a landscape and the exposure of its hidden (EM – electromagnetic) double’. It was a very fulfilling experience, which we presented some days after at Transmediale 2008 in Berlin, as part of the Salon’s program (read more here).

    On April 22, Martin and Gordan came to Aarhus to run two workshops: Psychogeographics Aarhus by Martin Howse and Wi-Fi cracking workshop by Gordan Savicic as part of the Interweaving Conference. You can look at some photos here.

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  • scissors
    April 21st, 2010tbazzSocial networking

    Seminar & Workshops at Aarhus University, April 22 – 2010
    KaserneScenen, starts 9.30.

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    Due to the ash- and eruption related cancellation of the three-day seminar Interweaving Technologies – the Aesthetics of Digital Urban Living, The DARC, Digital Aesthetics Research Center, and The Center for Digital Urban Living, Aarhus University, organise the mini-seminar Aesthetic eruptions of the digital. The seminar is arranged by Lone Koefoed Hansen and Lars Bo Løfgreen.

    It will be a 3-4 hour seminar with some talks by presenters from the Aarhus area. Additionally, there will be two workshops:  Psychogeographics Aarhus by Martin Howse (UK/DE) and Wi-Fi cracking workshop by Gordan Savicic (AU/NL).

    I will be part of the panel The Politics of Networks with Geoff Cox, Søren Pold and Christian Ulrik Andersen, giving a talk entitled “Aesthetics of Common Participation and Networking Enterprises”.
    Read the rest of program here. Read the workshop descriptions below (extract from the Conference’s website).

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    April 14th, 2010tbazzSocial networking, Web 2.0

    Parla_come_navighi

    Parla come navighi. Antologia della webletteratura italiana (Anthology of Italian Webliterature) is published. I wrote the preface, with the title: ‘Per una letteratura della partecipazione’ (‘Towards a Participatory Literature’).

    The Anthology is a collections of writings, poetry, essays, and reflections on the new forms of experimental  literature in the era of social media. Published by Il Foglio Letterario, is edited by Mario Gerosa, with editing assistance by Roberta Peveri.
    The title might be literally translated into ‘speak the way you surf’, even it makes not so much sense in English. The idea comes from ‘parla come mangi’ (speak the way you eat), the Italian common way to say ‘be simple’, ‘don’t try to be rhetoric’, or better, ‘don’t overdo when you speak’. Basically, the Anthology wants to present the microcosm of the Italian web- and network-literature, and the consequent experimental effort in creating new languages and new forms of writing by the social media users. The focus is therefore not just to use social media as a inexpressive communication tool, but to transform them into a platform of creation.

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