October 15th, 2013Disruptive Business
Disrupting Business explores some of the interconnections between art, activism and the business concept of disruptive innovation. With a backdrop of the crisis in financial capitalism and austerity cuts in the cultural sphere, the idea is to focus on potential art strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process. If it is indeed possible, or desirable, what alternative business models emerge? This book is concerned broadly with business as material for reinvention, including critical writing and examples of art/activist projects.
Contributors include Saul Albert, Christian Ulrik Andersen, Franco “Bifo” Berardi, Heath Bunting, Paolo Cirio, Baruch Gottlieb, Brian Holmes, Geert Lovink, Dmytri Kleiner, Georgios Papadopolous, Soren Bro Pold, Oliver Ressler, Kate Rich, René Ridgway, Guido Segni, Stevphen Shukaitis, Nathaniel Tkacz, and Marina Vishmidt.
Buy Paperback: Autonomedia
Tatiana Bazzicheli is Postdoc Researcher at Leuphana University of Lüneberg and programme curator at transmediale festival, Berlin, Germany.
Geoff Cox is Associate Professor in the Department of Aesthetics and Communication, Aarhus University, Denmark, and Adjunct Faculty, Transart Institute, Germany and the United States.
Read more: http://disruptiv.bizTags: Bazzichelli, Cox, Disruptive Business
Presented by reSource transmedial culture berlin and transmediale, festival for art and digital culture berlin. Curated by Tatiana Bazzichelli, developed in collaboration with Kunstraum Kreuzberg/Bethanien, CTM/Disk, the Centre for Digital Cultures/Leuphana University of Lüneburg, and Mindpirates e.V.
In the current development of digital culture we are experiencing a condition of overflow. More information is being transmitted than machines can process and humans can handle. Producing more data generates more ownership and control, but also increases the desire to be part of an extended connectivity.Tags: Hacktivism, Networking, Social networking, transmediale resource
A project of networked art powered by OCTO-P7C1
DOWNLOAD: You can download the PNEUMAtic circUS catalog (pdf) here.
Monday July 8th, 2013
Laboratorio 21, Viareggio (Italy)
Launch of the digital catalog with Vittore Baroni (curator, E.O.N. Archive, Viareggio), Tatiana Bazzichelli (curator, transmediale festival, Berlin / researcher, Leuphana University of Lüneburg), Jonas Frankki (designer, Telekommunisten collective, Berlin), MGZ – Mauro Guazzotti (DJ)
As part of the renowned transmediale festival for art and digital culture held in January-February 2013 in the Haus der Kulturen der Welt in Berlin, the mail art pioneer Vittore Baroni oversaw the postal art project PNEUMAtic circUS, utilizing the innovative structure of pneumatic post OCTO P7C-1 and involving approximately one hundred authors from sixteen nations.
The long tentacles of OCTO reach Baroni’s home town Viareggio on Monday, July 8th 2013, with the premiere presentation at the art space Laboratorio 21 of the singular PNEUMAtic circUS digital catalog. The special event includes a meeting with Tatiana Bazzichelli, networked art researcher and curator of transmediale, and with the designer Jonas Frankki, a member of the Berlin collective Telekommunisten, creators of the original pneumatic platform together with Raumlaborberlin and reSource transmedial culture berlin of the transmediale festival.Tags: Networking, transmediale resource
March 26th, 2013Bazzichelli PhD Research, Disruptive Business, Hacktivism, Social networking, Transmediale Resource
Tuesday, 26 March 2013, 20:00 – late
c-base (Rungestraße 20, 10179 Berlin, S/U Jannowitzbrücke)
The event reSource 004: Networked Disruption (part of the series of event by the reSource transmedial culture berlin) reflects on how the current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism. Named after the just-published book by Tatiana Bazzichelli Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking (DARC Press, 2013), the event discusses new strategies of political and social criticism, by reflecting on mutual interferences between art, hacktivism and business disruption.
Hackers, activists, artists, practitioners and theoreticians are invited to reflect with us on the current development of artistic and hacker practices in the context of social networking. How can hackers and artists be critical in the business context of social media? Is the business of social media co-opting DIY culture? Is criticism only possible through opposition? These are some of the questions we will share with the public during the panel.
By proposing the concept of disruptive business as an art practice, reSource 004: Networked Disruption becomes an opportunity to imagine new possible routes of social and political action. The event presents a constellation of social networking projects that challenge the notion of power and hegemony, from the earlier development of network culture to today.
We will reflect on the meaning of disruption today by connecting practices of networked art and hacking in California and Europe, such as mail art, Neoism, The Church of the SubGenius, Luther Blissett, Anonymous, Anna Adamolo, Les Liens Invisibles, the Telekommunisten collective, The San Francisco Suicide Club, The Cacophony Society, the early Burning Man Festival, the NoiseBridge hackerspace, and many others.
Networked Disruption is presented by Tatiana Bazzichelli (it/de), in conversation with Michael Dieter (au/nl), Alexander Müller/Hedonist International (de), and the public of c-base. Moderated by Kristoffer Gansing (se/de).
After the book presentation and discussion, the dj/vj/xj Podinski (XLterrestrials + CiTiZEN KiNO) will mix a culture jammer’s “smorgasbord” of counterculture beats and hijacked eyecandy from the 90s and up to various post-9/11 situations. Expect un-soothing audio-visual chaos!Tags: Bazzichelli, Disruptive Business, Hacktivism, Social networking
Networked Disruption – Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking by Tatiana Bazzichelli now available (DARC Press, Aarhus University, 2013).
The current techno-economic paradigm of Web 2.0 has challenged notions of art and hacktivism within digital culture. The book “Networked Disruption” takes up this challenge and discusses a new perspective on political and social criticism. It simultaneously asks what are the conditions for hacker and artistic practices under Web 2.0 and how can social networking be seen to build on and incorporate artistic practices from the earlier decades of digital and network culture.
Through its theoretical discussion of contemporary art and hacktivism, the book maps out a new contradictory space for art and criticism: Networked disruption.
More information here.
Licensed under the Peer Production LicenseTags: Bazzichelli, Disruptive Business, Hacktivism, Social networking
February 16th, 2013Gender & Technology, Hacktivism, Networking Art, Social networking, Transmediale Resource
Since September 2011, I have been curating the reSource transmediale culture berlin, a project of transmediale that happens throughout the year in the city of Berlin, developing ongoing activities with decisive touchdowns at each festival. It is a networking project based on the inter-connection of genres & practices, developed in cooperation with the reSource partners: CTM/Disk, Kunstraum Kreuzberg/Bethanien and the Post-Media Lab/Leuphana University of Lüneburg. Before transmediale 2013 BWPWAP I planned to create a conceptual link from the events organised in May and in August, to various festival activities, which constituted a further development of those.
The event reSource 002: Out of Place, Out of Time, held last August at Kunstraum Kreuzberg/Bethanien was the occasion to launch three major installation projects, which have been developed for the following six months, to be finally realized and presented at transmediale festival 2013: OCTO P7C-1, which featured PNEUMAtic circUS, ReFunct Media #5 and Composting the City / Composting the Net.Tags: Bazzichelli, Hacktivism, Networking, queer action, Social media, transmediale resource
The aim of the conference is to advance and exchange basic research on aesthetics within the field of new technology. The conference explores the concept of aesthetics by investigating the challenges new computational technologies pose for current aesthetic theory. Confirmed keynote speakers include Bernard Stiegler, Olga Goriunova, and Mark B.N. Hansen.
Scholars of aesthetic theory seldom engage the specific potential for aesthetic experience offered by digital computer technology, despite its omnipresence. By the same token, IT researchers often interpret “aesthetics” as merely a question of how the user interface manifests itself – in other words, as a question of an encounter or interaction of a “user” with an interface without any more detailed evaluation of the aesthetic qualities of that meeting or interaction. The conference attempts to bring a deeper, theoretically grounded consideration of the aesthetic dimension to bear on the digital phenomena and technologies that surround us today.
As part of the conference programme, I am moderating a panel entitled: “The Aesthetics of Disruptive Business”
Participants: Christian Ulrik Andersen/Geoff Cox/Søren Pold, Tatiana Bazzichelli, Stevphen Shukaitis, Marina Vishmidt.
With a backdrop of the crisis of financial capitalism, austerity cuts in the cultural sphere, the panel will focus on aesthetic strategies in relation to a broken economy. In a perverse way, we ask whether this presents new opportunities for cultural producers to achieve more autonomy over their production process and ask what alternative business models emerge? We are concerned broadly with business as (artistic) material for reinvention, and the challenge for critical aesthetics in terms of key business paradigms like innovation and regeneration.
- Tatiana Bazzichelli (Transmediale / Leuphana University of Lüneburg), moderator
- Christian Ulrik Andersen/Søren Pold/Geoff Cox (Aarhus University), “Disruptive Innovation in Digital Art/Activism and Business”
- Stevphen Shukaitis (University of Essex / Autonomedia), “All Your Aesthetic Management Is Belong to Us: Mimetic Self-Organization in the Circuits of Immaterial Production”
- Marina Vishmidt (Queen Mary, University of London), “Mimesis of the Hardened and Alienated: Money, Value and Activism in Recent Art and Around It”
International Research Conference and PhD Workshop
Leuphana University of Lüneburg, Germany
22-24 November 2012
In the context of developing a platform for knowledge exchange and research across the arts and sciences, the reSource transmedial culture berlin/transmediale festival has established a partnership with the Centre for Digital Cultures, Leuphana University of Lüneburg and the Digital Aesthetics/Participatory IT Research Centre, Aarhus University to foster new forms of collaborative research, peer-review, publication and performative knowledge dissemination.
The international research conference and PhD workshop takes next transmediale’s thematic framework (BWPWAP, Back When Pluto Was a Planet) as a broad starting point, and is a chance for researchers to share ideas and development processes across and beyond the time/space of academic research paradigms. The conference and workshop asks how BWPWAP can be interpreted in the context of research culture that has been significantly destabilised by network culture and digital media.
Around 20 international PhD students have been selected after submitting their research abstracts via a public call. Students and researchers will meet at the Luphana University to present their activities and reflect on further networked research practices, which will culminate into the publication of a P2P reviewed newspaper presented in the framework of transmediale 2013.
The event follows on from similar events organised in 2012 and 2011 at Universität der Künste (Berlin), and Aarhus University, respectively. For the publication resulting from the last events, visit the following.
Digital Aesthetics/Participatory IT Research Centre, Aarhus University
reSource transmedial culture berlin/transmediale festival
Centre for Digital Cultures, Leuphana University of Lüneburg
Read more about programme and contents:Tags: transmediale resource