NetworkingartNetworkingart

fluxusheader

Networked Disruption – The Exhibition

header_networked_disruption_2

 

Networked Disruption: Rethinking Oppositions in Art, Hacktivism and Business
Group exhibition and side programme
Curated by Tatiana Bazzichelli
Produced by Aksioma – Institute for Contemporary Art, Ljubljana – in collaboration with several partners

www.aksioma.org/networked.disruption

Exhibition @ Škuc Gallery, Stari trg 21, Ljubljana, Slovenia / March 11 – April 3, 2015. Opening March 11, 8pm
With: Anna Adamolo, Anonymous, Billboard Liberation Front, Burning Man Festival, Cacophony Society, Janez Janša, Janez Janša, Janez Janša, Julian Oliver, Laura Poitras, Les Liens Invisibles, Luther Blissett, Mail Art, Neoism, Peng! Collective, Suicide Club, Telekommunisten, Trevor Paglen.

Seminar @ Kino Šiška, Trg prekomorskih brigad 3, Ljubljana, Slovenia /March 11 – 12, 2015: http://www.aksioma.org/press/networked.disruption.zip
With: Annie Machon (UK), Bani Brusadin (ES), Baruch Gottlieb (CA/DE), Dmytri Kleiner (CA/DE), Florian Cramer (DE/NL), Ida Hiršenfelder (SI), Janez Janša (SI), John Law (US), Loretta Borrelli (IT), Luther Blissett (IT), Tatiana Bazzichelli (IT/DE), Vittore Baroni (IT), Vuk ?osi? (SI).

In the business world, disruption means to introduce into the market an innovation that the market does not expect. This innovation comes from within the market itself. Transferred into the field of art and activism, disruption means to generate practices and interventions that are unexpected, and play within the systems under scrutiny.

Art, hacktivism and business are often intertwined, generating a feedback loop of revolutions and co-optations that is functional to the development of capitalism. Capitalism needs our revolutions because they generate new lifestyles, products and practices that create new markets and consumer desires. Similarly, systems of power need our resistance and opposition because they serve to increase security and forms of control. We need to find new strategies that go beyond the mere act of opposition and that are harder to appropriate.

Read More

fluxusheader

Welcome to deadSwap 2.0

A new version of deadSwap by #Telekommunisten at transmediale 2015!

deadSwap_tm

deadSwap by telekommunisten is a clandestine offline file sharing system where participants covertly pass a USB stick from one to another. The route of the USB memory stick and the identity of the other participants is not known by the users but controlled by local, independently operated SMS gateways that are kept as a carefully shared secret by their users.
deadSwap relies on the diligence and strict adherence to operational security of its agents. Nothing is secure in deadSwap, all text messages are unencrypted and sent over the public telephone system.
In order to maintain operational security, deadSwap participants need to follow procedures properly as failing to do so will compromise the security of the network and all of its users.

We launched the first release of deadSwap in 2009, during the Sousveillance Conference in Aarhus /Denmark. During transmediale 2015 it comes back upgraded and ready to be experienced and enjoyed at: http://deadswap.net

Read more on the deadSwap agent manual
fluxusheader

Digital Utopias Conference: Disruptive Innovation Panel

Digital Utopias was a one-day conference which inspired and sparked debate about how new technologies are enabling creativity across the arts (Hull, UK, 20 January 2015).
In this session, the panel unpick alternative models of “innovation” through examining production models and their cultural value. Interdisciplinary artistic practice can create new platforms, resources and art forms, but what are the benefits to artistic practice and how can cultural appropriation be avoided?

Led by Jose Luis de Vicente (curator and researcher) with Tatiana Bazzichelli (Director of the Disruption Network Lab), Memo Akten (Artist), Lynn Scarff (Programme Director of The Science Gallery).

This debate was recorded at Digital Utopias at Hull Truck Theatre: an Arts Council event curated by Abandon Normal Devices as a trailblazer event for Hull City of Culture 2017, bringing together a range of Arts Council partners including The Space, AHRC and The British Council as well as artists and cultural practitioners from across the UK and beyond. Find out more and see more from Digital Utopias at: artscouncil.org.uk/digitalutopias

fluxusheader

Towards the 31st Chaos Communication Congress (31C3)

pesthoernchen-720x380

The schedule of the upcoming 31C3 Chaos Communication Congress (December 27-30, CCH Congress Centre, Hamburg), seems to prove whistleblower Daniel Ellsberg right when he said: “Courage is contagious”. The internationally well-known yearly conference and hacker party running since 1984, is organised by the Chaos Computer Club (CCC), who calls themselves “one of the longest established and most influential civil society organisations dealing with the security and privacy aspects of technology in the German-speaking world” (www.ccc.de).

Since its beginning in 1981, the CCC has actively worked to promote freedom of information and communication, struggled for greater transparency in governments and supported the principles of the hacker ethic, such as free access to technology and computers for everybody. Wau Holland, one of the CCC co-founders who passed away in 2001, described the 1981 meeting of various people in the rooms of Die Tageszeitung (taz) newspaper, which for many is considered crucial for the foundation of the CCC in an interview:

Read More

fluxusheader

The Disruptors

Photo by Fiona Krakenbürge

An intervention by Hedonist International – Photo by Fiona Krakenbürge

Don’t fight the system – disrupt it! Meet the subversive, satirical, risk-taking Berliners trying to effect change from within.

Last month ExBerliner, the Berlin magazine in English since 2002, published online my article “The Disruptors“, after it was on paper in the September issue dedicated to whistle-blower Edward Snowden and the connected scene of hackers, activists and critical thinkers in Berlin.

Here is the full version: http://www.exberliner.com/features/lifestyle/the-disruptors/

fluxusheader

What Drives Us? A Forum on Festival Sustainability

banZEROFUTURE-EN_B-FN

Next week I am going to Montréal (Canada) to take part in the HTMlles Festival, and to introduce the Conference What Drives Us? A Forum on Festival Sustainability. My presentation will focus on the modalities of networking as a curatorial method, having as main example the experience of the reSource transmedial culture berlin, reflecting on the pro and contra of applying a network methodology to connect a festival more directly with local actors, introducing an element of unpredictability and uncertainty into a consolidated festival structure. At the event there will be festival and event producers and organizers to discuss a matter that is really crucial for many  that work independently or inside curatorial projects/institutions.

Sustainability-roundtable_2What Drives Us? A Forum on Festival Sustainability
The HTMlles 11, Feminist festival of media arts + digital culture, November 7-15, 2014. Montréal, CA
Introduced by Tatiana Bazzichelli (Berlin)

Roundtable Discussion: Friday, November 14, 2 – 5 PM
Work Sessions: Saturday, November 15, 11 AM – 3 PM
Studio 303 (372, Sainte-Catherine W (303). Metro: Place-des-Arts)

In looking to the future through ZÉR0 FUTUR{E}, The HTMlles bring together festival organizers to think about sustainability. The gathering, taking place over two days, is composed of a roundtable discussion open to the public on the first day, and smaller group sessions and a plenary on specific questions proposed by the participants on the second day. While the focus is on (media) art festivals, the gathering is open to any festival organizer. CQAM’s Labàlab wiki will be used by participants to plan and document the discussions. Free and open to all, but please register at: rsvp@htmlles.net

Introduction by Tatiana Bazzichelli (Berlin), Initiator/Developer of “reSource transmedial culture berlin” by transmediale
With: Edgy Women/Redux (Montreal), Elektra (Montreal), Electropixel (Nantes), Qouleur (Montreal), MUTEK (Montreal), Sight & Sound (Montreal), VIVA! Art Action (Montreal).

fluxusheader

Networking & Disruption in Montréal

Tatiana Bazzichelli

With the occasion of my participation at the HTMlles Festival in Montréal, in the context of the conference on Festival Sustainability (see here), I will be in town for one week and give some lectures on November 12, and 13, 2014.

Connecting Grassroots Communities in Italy and Beyond: THE ART OF NETWORKING by Tatiana Bazzichelli

Italian Cultural Institute – 1200 Av. du Dr. Penfield – Montréal, Wednesday November 12 – 7pm

In this talk I will analyse and present techniques of networking developed in the expanded, pervasive and collective networks in the last half of the twentieth century in Italy and beyond, which have anticipated the structure and inspired the rhetoric of many of the contemporary commercialised social networking platforms. The main focus are the diverse use of art and technology among grassroots communities of artists, hackers and activists.

More info here

Public talk: Business Disruption as Artistic Intervention by Tatiana Bazzichelli

Concordia University, November 13, 2014 – 16h30-18h00, followed by a reception
1590, Dr Penfield Street, First Floor, Bronfman Building

I will describe the concept of Business Disruption as an art practice which draws upon my book Networked Disruption: Rethinking Oppositions in Art, Hacktivism and the Business of Social Networking (download here), DARC Press, Aarhus University, 2013. The aim is to analyse hacker and artistic practices through business instead of in opposition to it. The analysis poses the following question: Is it possible to respond critically to business without either being co-opted by it or refusing it? Is criticism only possible through opposition?

The event is sponsored by Concordia University Research Chair in Mobile Media Studies. More info here.

fluxusheader

Beyond the Interface – Disrupting the Market

beyond-interface-main

Exhibition & Panels at ISMAR, The International Symposium on Mixed and Augmented Reality, Munich, Germany.


Exhibition: Beyond the Interface
, curated by Marc Garrett, Julian Stadon (more info here).
Date: 10-12 September 2014, Faculty for Architecture Level 5, Technical Universsity campus, Arcisstrasse 21 80333 Munich. With: Erica Scourti, Jennifer Chan, Branger_Briz, Julian Oliver, Mez Breeze, Heath Bunting, Pierre Proske, Genetic Moo, Zach Blas.

Panel: Disrupting the Market
Thursday 11 September, 2014 02:00 PM, ISMAR 2014, Technical University of Munich, Boltzmannstraße 15, 85748 Garching /Munich. With: Heath Bunting, Tatiana Bazzichelli, Annette Domz and Wolf Lieser. Chaired by Marc Garrett

This panel looks at alternative approaches to understanding creative digital industries, marketing and power, and focuses on the boundary between cultural and financial, governmental and political economies. The speakers will examine a range of tactical strategies and disruptive approaches as part of an evaluation of the economic hierarchies in contemporary society and creative production. This discourse will present recent examples that critique traditional approaches to participation within market driven systems, with a particular focus on networked culture, mixed realities, social media, ubiquitous computing, and mass surveillance.
More info